Adam Cotton's teaching reviews can be found on .
Composing courses. Lecturing on grammar, literacy, the essay, versification, themes and issues of modernist literature, totalitarianism, literary indoctrination, free speech, and elegy
PEER-REVIEWED PUBLICATIONS
Notes on Robert Lowells Proleptic Elegy with Il Miglior Fabbro. Modern Horizons: Toronto, 2016. Web.
CONFERENCE PAPERS & SEMINARS
Grammars and Digressions in the Later Poems of T. S. Eliot. The International T. S. Eliot Society. Senate House, University of London: London, UK. 11 July 2022.
Early Poems and Criticism of T. S. Eliot. The International T. S. Eliot Society. Senate House, University of London: London, UK. 6-15 July 2019.
Pharmakoi, Asyndeton, the Historical Sense and T. S. Eliots Murder in the Cathedral. The International T. S. Eliot Society. Emory University: Atlanta, GA. 21 Sept. 2018.
As The Sharp Guitars Mourn the Poets Name: American Elegies for Federico Garc穩a Lorca. Humanities Graduate Student Association. York University: Toronto, 2017.
Dialogical Struggle in the Canadian Elegies for Federico Garc穩a Lorca. Institute of Modern Languages Research. Senate House, University of London: London, UK. 11 July 2016.
Anxieties and Pleasantries in Modernist Philia: The Friendship(s) of T. S. Eliot and Ezra Pound. The International T. S. Eliot Society. Auditorium Teatro della Clarisse: Rapallo, Italy. 21 June 2016.
Catastrophe and Dilemmas of Commemoration in Two Canadian Elegies for Federico Garc穩a Lorca. Modernist Studies Association. Westin Copley Place: Boston, MA. 19 Nov. 2015.
No Other Way: A Defense of the Three War Elegies by John Cornford. ACCUTE. University of Ottawa: Ottawa, ON. 31 May 2015.
The Disbelieving Believer in T. S. Eliot and the Believing Disbeliever in Virginia Woolf. The International T. S. Eliot Society. Washington University: St. Louis, MO. 19 Sept. 2014.
Samuel Richardsons Buzz of Mixed Voices: Polyphony in Clarissa. Canadian Society for Eighteenth-Century Studies: London, ON. 16 Oct. 2013.
Supervisor
Second Reader
Confronting Form, the Disappearing Poet, and the Elegiac Traces of Federico Garc穩a Lorca.
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