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Ask half a dozen current students why Queen’s celebrates University Day and, after a few blank...

When Queen Victoria granted a royal charter to establish Queen’s College in Kingston in 1841, she...

TSN sports anchor and CFL host Rod Smith (Artsci’83) has always loved the sound of voices, and his...

In September 1916, first-year registration at Queen’s University was just 270. Across all years...

Throughout my time at Queen’s University, I have explored many spaces and places. From the secluded...

Queen’s launched the Initiative Campaign in 2006, at a critical juncture in our history, with a...

Karen Nicole Smith, Artsci’08, was already living with kidney failure and heart failure when she was...

Rembrandt’s 1658 masterpiece went on view at its new home in the Agnes Etherington Art Centre at Queen’s University in late April. A recent gift of Drs. Alfred and Isabel Bader, and the third work by Rembrandt van Rijn to be added to The Bader Collection, the painting is one of the most significant portraits of the artist’s later career. Art historian Jacquelyn N. Coutré explores the story behind the portrait in terms of the evolution of Rembrandt’s painting technique and the triumph of the artist to overcome both personal and professional adversity. Dr. Coutré is the Bader Curator and Researcher of European Art at the Agnes Etherington Art Centre.

In this issue, students and professors explore the paintings from The Bader Collection on display at...